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Fauzia Minallah’s passion for art and design converges with her activism through writing and campaigning for heritage, conservation, environmental and social matters.
So does her enthusiasm for raising issues of peace, tolerance and justice as well as her involvement with children, on a platform that she has provided to them in the shape of an NGO called Funkor Child Art Centre, carrying out workshops for children living in shanty towns, for children with disabilities; refugee children and so on.
My only question is whether it may need a part two, in which Fauzia draw's attention to the early buildings of the 1960s which might merit listing and safeguarding.
Today's modern buildings are tomorrow's historic ones, and if we do not save them history will never have a chance to tell its story.
Her book is a stark reminder of the gap that exists between modernization and protection of the country’s heritage.
It introduces people to new ways of not only seeing, but also caring for, their culture and tradition.
Her recent book, ‘Glimpses into Islamabad ’s Soul’, is a pictorial documentation of the heritage sites of the city by “someone who loves the mystical, historical and natural aspects of the city” Islamabad is mistakenly considered a dead city by many non-residents.
Despite the fact that the locals are struggling to develop their own culture, the country’s youngest city is preceded by thousands of years of history and is the site of one of the earliest human settlements in Asia .
Throughout her career as an artist, designer and writer, Minallah has been one of the most inspiring advocates of peace, tolerance and conservation.
It documents the ancient trees of Islamabad in addition, advocates its protection.