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Unlike the ladies on “Sex and the City” who lounged at lunches and cocktails all day long, the film’s scrappy heroine Andy Sachs couldn’t even take her dad to dinner without her phone buzzing non-stop.All of a sudden there were “Prada” copycats everywhere.That required quite a bit of invention and trial and error.And since there wasn’t a strong third act in the book, we needed to invent that.” The studio interviewed a long list of directors with considerable experience making broad comedies.She was always fragile when we shot late.” There were considerable problems scouting locations on a tight budget.The production couldn’t get permission to film at Mo MA or Bryant Park, and they couldn’t find an actor to play Nigel for months—a role that Tucci accepted 72 hours before his character debuted on set.The early drafts of the screenplay, from four different writers, followed the source material closely, and resembled a “Zoolander”-like satire about the fashion world.
Then there are all the “Prada” tributes on the Internet—celebrating the script’s zingers like, “That’s all!
But when the premise for the story landed at Fox, none of that had happened yet.
Studios executives bid on the movie rights before the book had even hit shelves in 2003.
“Everybody has had an experience like this,” Hathaway says.
Stanley Tucci, who plays top Runway editor Nigel, puts it more simply. “The brilliant movies become influential, no matter what they are about.” learned in an oral history with the film’s stars and executives.Not to mention the four writers that toiled on scripts that were trashed, nearly losing Blunt to another project and trouble securing a luxury apartment for Miranda’s home (the townhouse in the film belongs to a friend of a producer).“For a lot of us, it was our first big thing,” Frankel says. It was possible this could be the end of the road for us.” Instead, “The Devil Wears Prada” served as a career launching pad for almost everybody involved. audiences to Emily Blunt and changed the trajectory of Anne Hathaway’s career.The movie not only finally proved Streep as a box office force (paving the way for the summer releases of “Mamma Mia! Before “Rachel Getting Married,” “Les Miserables” or “Interstellar,” “Prada” was the actress’ first leading role in a movie targeted to adults.